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Each of these factors will be present in the case study outlined in this section; however, I want to address one of the items here to ensure understanding That item is neighbor network negotiations While it is entirely possible that enterprise installations will require neighbor network negotiations, they certainly are not required in most enterprise headquarter installations For this reason, neighbor network negotiations fall into that category of non-universal challenges Most enterprise headquarter installations take place on large, dedicated campuses that are sufficiently separated from other buildings This separation allows for better (clear and quiet airwaves) wireless environments It s much easier to plan a wireless network when you don t have to address interference issues from neighboring networks SOHO installations often work in the exact opposite environment These networks must frequently be implemented in noisy environments The following case study presents just such a scenario

CDC: What do your peers think of you shooting movies digitally Lucas: I have very close friends who say they will never, ever go digital until the last piece of film is used up and the last lab is closed Then there are others Jim Cameron, and a lot of the other directors who have come through here to see what we re doing Francis Coppola is also very enthusiastic about what we re doing and is amazed at what we ve been able to accomplish in terms of images I think, eventually, most people will follow in the next few years I have a very long post on my picture, over two years When I started, obviously I was the first one to ever use the 24-frame digital camera, and I have a feeling that there will be at least a half-dozen to a dozen films, which will be released before my film, that have been shot digitally CDC: How does it feel to be a pioneer Lucas: I don t think of myself as a pioneer I ve gotten asked these kinds of questions early on in my career because I ve spent a great deal of money on research and development, and I ve tried to push the medium forward It s really because I want to make the process of making films easier for the artist, because I want to make it easier for myself to cut the films, to shoot the films And because I am an independent filmmaker, I have to make sure that every resource I have is used in the best possible and most efficient way Sometimes advancing the technology a little here, a little there, does just that It cuts your costs and it also makes it easier for the artists to realize their vision I can think of a lot of crazy movies, but up to this point, I ve always been hitting the concrete ceiling or celluloid ceiling, I guess we should say that has not allowed me to fulfill my imagination The main thing is I m very happy now I have always been pushing the envelope of the medium because primarily I want to get the best possible image and the best possible way of telling my stories And I ve always found myself bumping up against that celluloid ceiling, the technology that says, You can t go here, you can t go there, you can t do that Or the economic resources, such that You can get there, but it s going to.

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